About
"... to create technology that can help people interact with music and that can make all music accessible to everyone."
Emilia Gómez
Rose is a music technology researcher specializing in AI and human perception.
Her work approaches music technology through affective and experience-based methods and asks how listening, feeling, and embodied interaction help people make sense of sound. Across research, artistic experiments, and tool-building, she explores how technological systems can be more relational.
Rose is currently a Steve Jobs Archive fellow. Her work has advanced projects supported by the National Science Foundation (NSF), National Endowment for the Humanities (NEH), and the Arts and Humanities Research Council (AHRC). She has published in venues including ACM Computing Surveys, the International Conference on Robotics and Automation (ICRA), and the Society for Music Perception and Cognition, with her work featured in Scientific American, IEEE Spectrum, Dance Magazine, and Google Stories.
Education
Ph.D in Computer Music, UC San Diego, 2024 - Present
M.S. in Music Technology, Georgia Institute of Technology, 2024
B.S. in Music Technology conc. Digital Signal Processing, Georgia Institute of Technology, 2022
side quests
"A Music Technologist’s Exploration of Computer Music"
Read on my Substack.
I regularly support The 24 Hour Plays
the American Association for Cancer Research (AACR)
& the American Cancer Society.
Current theatre favorite:
Robert Icke’s Oedipus
The Rocky Horror Show directed by Sam Pinkleton